Artnet wrote about the stunning opening hours of sales at Art Basel. The article mentions the usual blue chip names (as well as some surprises) and the almost required celeb name drops like Leonardo DiCaprio in articles like this. Some of the prices and images might make you excited or nauseous...or both.
you are fortunate enough to be able to get to Bushwick (Brooklyn) for
the annual Open Studios this weekend, it sounds awesome! This article
lists some events and galleries. If you go, it'd be great if you could
send The Gallery Guy (sadly, I can't get there) a note with your thoughts and observations, and maybe some
photos. I'll post 'em here and on the Facebook page.
On Pamela Geller and the Mohammed cartoon event/shooting in Texas: When I was a kid we had a field trip to a Space Farms Zoo which also specialized in local Native American history and artifacts. A child from another school bought a replica (rubber tip) spear at the gift shop and was slowly inching it toward the butt of a bear leaning against the bars of its cage when his teacher intervened in the nick of time.
I thought of that when I heard about this Mohammed cartoon event in Garland, Texas. Quite a bit of the arts explore free speech and pushing, probing its boundaries. Pamela Geller and her group are not art-affiliated in any way from what I've gathered. They are, however, cited by many as an anti-Islamic group organization. This is not Charlie Hebdo. This was a specific attempt, IMHO, to offend a religion and culture. Muslims are not supposed to make images of Mohammed and find it offensive when others do. In the No-Shit-Sherlock moment of the year, it was a given that there was going to be retaliation. As an artist, I'm offended that she used art for her and her group's ugliness, and they bear direct responsibility for people being shot at, and 2 people killed.
Clio was a small independent fair during the NY Art Fairs in March. A juried selection, and I'm assuming the participants kicked in for the space etc, but I don't know for sure. Chatted with Alessandro Bernim the founder. His card reads "Clio Art Fair - The Anti-Fair for Independent Artists." My one complaint was that when you got to the building, there was no listing in the lobby for which floor they were on. Posters, yes, but no directions. Someone else was in the lobby and left because she couldnt be bothered exploring 5 or 6 floors to locate it. Anyway, a few shots:
Got an email from the folks at PULSE NY Art Fair, with notes and name-dropping from the fair.
Here's most of it for you to peruse -
PULSE New York Closes 10th Anniversary on High Note
10, 2015, New York, NY - PULSE Contemporary Art Fair closed its 10th
anniversary edition in New York on a high note, as participants reported
positive energy and solid sales. With more than 100 international
artists to discover, the fair drew serious collectors, curators and
journalists from around the world -- "la creme de la creme," reported
first-time exhibitor, John Ferrere from Paris¹ Galerie L'Inlassable, which sold its entire selection of sculptures by Reinhard Voss. "Whatever PULSE is doing to attract VIPs and young collectors, it's working," said David Moore of Pictura Gallery.
is my third PULSE Contemporary Art Fair at the helm, and the most
exciting to date.² said Director, Helen Toomer. ³I think the exhibitors,
their artists and our visitors felt and absorbed the renewed energy.
PULSE¹s move back to March during Armory Arts Week was definitely the
right decision. With that said, Thursday¹s snowstorm definitely had us
all worried, but we were thrilled to find that it did not impact our
attendance and I¹d like to thank our wonderful collectors for attending
and for their unwavering commitment to supporting and acquiring
praised PULSE New York¹s central location at the Metropolitan Pavilion
in Chelsea, a convenient hub for discovering new art in an intimate and
stimulating setting. Both visitors and exhibitors noted that the fair¹s
airy layout and tightly curated focuswith 80% of galleries showing
three or fewer artistsallowed visitors to spend time truly engaging
with the artwork on display while getting to know the exhibitors. "It's
really well laid out," said Nancy Whitenack from Dallas' Conduit Gallery. "You don't miss a thing."
Of the fair¹s 50 exhibitors, both established and up-and-coming galleries reported successful showings. Gallery Poulsen of Copenhagen sold out its entire booth and inventory of paintings by Jean-Pierre Roy, Aaron Johnson, and Christian Rex Van Minnen to diverse collectors, including Oscar-winner Patricia Arquette, Leonardo DiCaprio and Helena Christensen. "It's been wild," said gallerist Morton Poulsen.
"I've never experienced this interestand it's both new and good
collectors who are coming.² In addition to sales at the fair, galleries
reported interest in new commissions and also museum shows as curators
and corporate collections from Microsoft, eBay, JPMorgan Chase and Citicorp, to the Jerusalem Museum, 21c Museum Hotels, Rubin Foundation, The Aldrich Museum, Museum of Art and Design, Children's Museum and Jacksonville MoCA among others were in attendance.
While established galleries fared well, including New York¹s Davidson Gallery, which sold a suite of six cryographs by Sam Messinger to an unnamed museum trustee on the first day and went on to sell two works by Nicky Broekhuysen
in the gallery¹s first ever showing of the artist, both younger
galleries and alternative spaces reported great results through the
IMPULSE and POINTS initiatives. ³The booth totally rocks and the flow of
people has been greatand totally worth it,² said Mima McMillan of Swoon Studio/Braddock Tiles which
sold more than 100 prints in the first hour of the Private Preview
Brunch. ³We¹re a non-profit so for us to spend money on something like
this is a huge decision. PULSE has a great reputation we would
definitely do it again.² Meanwhile, SVA Galleries reported sales of three watercolors by Nadine Faraj to Kyle DeWoody, and YUKI-SIS, an emerging gallery from Tokyo, placed a large, lace-inspired woodcut by Katsutoshi Yuasa with a collector from Washington, D.C., who was not aware of the artist¹s work prior to PULSE New York. ProjectArt,
a non-profit which aims to raise awareness about the importance of arts
education, hosted a wildly popular digital photo booth at the fair that
founder Adarsh Alphons estimates reached an audience of 1 million viewers through social media postings and the hashtag #artisaright.
Among the booths to gain particular attention was Emerson Dorsch (Miami, FL), whose artist Elisabeth Condon
was awarded the 2015 New York PULSE Prize for an exceptional solo show
at the fair for her colorful mixed-media paintings born out of a
residency in Shanghai. In addition to being a favorite of fair visitors
and the PULSE Prize jury, the work attracted the attention of
collectors, with Condon¹s painting ³Ethereal Body² being acquired by the
JPMorgan Chase Art Collection. ³We¹re really excited to be back at
PULSE. It feels like coming home,² said gallerist Tyler Emerson Dorsch. ³When the director of the fair has such great energy, it makes a difference.²
programming was also a strong draw for visitors to PULSE, with
particular buzz surrounding PLAY, the video and new media initiative
curated by Billy Zhao of the Marina Abramovic Institute, and the 10th-anniversary curatorial roundtable discussion 10 x 10 which featured ten passionate curators, including Rocio Aranda-Alvarado from El Museo del Barrio and Matthew Israel from Artsy in conversation about their visions for the future. Crowds of art-lovers attended the at-capacity Thursday night Young Collectors Cocktails featuring a musical performance by Chargaux as well as the After-Party held on Saturday evening at Hotel Americano.
New York once again proved to be a destination for collectors looking
to acquire museum-quality contemporary art ranging from new works by
forward-thinking emerging talent to limited edition, hard-to-find pieces
by established artists. In addition to the art professionals who
visited, PULSE welcomed celebrity VIPs including George Lucas and Mellody Hobson, David Alan Grier and Dev Patel, who purchased a piece by James Austin Murray from Lyons Wier Gallery.
Along with an engaged local crowd there was strong attendance by
international visitors with buyers coming from Berlin, London and
Israel, as well as repeat visitors who attend PULSE Miami Beach. The
high-energy fair had dealers praising the new direction of PULSE with
galleries and collectors both excited and eager to return. "Between
participating in Miami and New York fairs this marks our 14th time
exhibiting at PULSE,¹ said Max Davidson from Davidson Contemporary,
³and we are proud to be part of this community as it continues to grow
and mature. Sales were strong and we are looking forward to continuing
with PULSE in Miami Beach.²