|"Apollo, 10-11pm (Waiting #136)", 36x36"|
There's the harsh artificial light from signs, bodegas, or newstands piercing the dark. Amory's people are non-descript. Shadow people who could be up to no good or upright citizens.
|"Grand Central Station (Waiting #177)" 36x48"|
All of his paintings are subtitled "Waiting" and frequently there are people who look to be, well, waiting. The scenes are relatively still and as you look you're also waiting for something to happen or wondering what just happened. In "Cyclone" it's a sunny 8-9am in front of the iconic Coney Island ride. Others could be night or day at an underground 24 hour business like a subway newsstand, and the viewer has no idea of the time without looking at the title. Speaking of which, Amory has created a newstand, a 3D version of his paintings if you will, complete with a rack full of painted over National Geographics.
|"Bleecker Bob's, 9-10pm (Waiting #173)" 36x36|
|"Hester and Eldridge, 11-12am (Waiting #171)" 36x36|
Here's a blurb from the show's statement about "Twenty-Four in New York":
Following his 2012 exhibition Twenty-Four in San Francisco, Amory spent a month in New York City, researching, photographing and filming various locations throughout the five boroughs to serve as reference material for his new series Twenty-Four in New York. The artist filmed a total of 40 locations, each in a one-hour increment at different times of day and night. Video footage of 24 locations will be projected in a grid of 24 frames in consecutive order beginning and ending with midnight. The hour-long intervals will run simultaneously, representing a full day in the city of New York.
|Boston & 174th Street, Bronx, 12-1am (Waiting #181)", 72x72"|
There are many striking things about Amory's work that make it not just documentary pieces. These are definitely paintings - he uses broad strokes, color, leaves out details, picks and chooses elements and people to create something new from what he sees. His use of light and dark is haunting and moody. Actually, they create many moods - sadness, fear, joy, apprehension, and melancholy to name a few. I want to know what's going on, where it is and who these people are. He lets me fill in the blanks. He makes me want to look at them over and over. He makes me want one in my home! By the way, all but two were sold before the opening. - Joseph Borzotta
Jonathan LeVine Gallery, 529 W. 20th Street, 9th Flr. Exhibit: June 29-July 27, 2013